A Book about Books

“I am an invisible man.”

“We were around Barstow on the edge of the desert when the drugs began to take hold.”

“On a sticky August evening two weeks before her due date, Ashima Ganguli stands in the kitchen of a Central Square apartment, combining Rice Krispies and Planters peanuts and chopped red onion in a bowl.”

So begins three contemporary books: Ralph Ellison’s Invisible Man (1952), Hunter S. Thompson’s Fear and Loathing in Las Vegas (1971), and Jhumpa Lahiri’s The Namesake (2003). One is about African Americans, another is about the counter culture, and the third opens with a view of new Americans, attempting to recreate a dish she recalled from her native India. Our tastes change with the times–only sixty years separate Ellison from Obama.

With so many words propelled at us each day, so many stories on so many media, there’s not much opportunity to consider the big picture, to develop a sense of the stories we are telling one another. I suspect that’s what caused English Professor Kevin Hayes to write A Journey Through American Literature (Oxford University Press).

In Hayes’s world, the word “literature” embraces poetry, travel writing, autobiography, and fiction. Whether Benjamin Franklin or Stephen Crane, Eugene O’Neill or T. Coraghessan Boyle, his examples consider the broad sweep of 250 years. His definition of literature includes bits of Seinfeld and The Simpsons, and acknowledges films as literature, too.

Skateboarding through media theory and aesthetics, Smithsonian American Art Museum is acknowledging videogames as art this summer. And I’m certain that every word in write in this blog, and every word you write in your email rants, will stand the test of time as great literature, too.

Yes, there is interesting, substantial work being done in all corners of art and media. Often, the work goes unnoticed, or receives a flash of publicity for fifteen seconds. It’s just too easy to forget about the good stuff until somebody says, or writes, “hey, this is worth a look!”

This summer, for me, Hayes is that somebody. Here’s a starter checklist:

  • Walden by Henry David Thoreau
  • The Adventures of Huckleberry Finn by Mark Twain
  • Their Eyes Were Watching God by Zora Neale Hurston
  • The Iceman Cometh by Eugene O’Neill
  • The Invisible Man by J.D. Salinger
  • Travels with Charley by John Steinbeck
  • Beneath the Underdog by Charles Mingus
  • China Men by Maxine Hong Kingston
  • The House on Mango Street by Sandra Cisneros

Yes, Hayes is an English professor. No, I will not write a term paper, nor will I abide by any deadline. This time, I’m not reading for the professor or the course or the grade. I’m reading for myself. And I plan to read these books not on a screen, but through the ancient technology of ink on paper. Some, I will buy in a used bookstore, some I will buy from the NEW bookstore that just opened not a mile from my home, some I will borrow, at no charge, from a good local public library.

Welcome to summer!

Go-Anywhere Hard Drives + MacAir Storage Ideas

This year, one of my projects has been a documentary about my father. I shot the documentary with an professional HD camera, edited in Adobe Premiere Pro on an iMac, and found myself in a mess of troubles. Then, I learned that serious editing requires an external hard drive. I’ve become a fan of these small devices, in part because they speed up the process and reduce crashes, and in part, because it’s easy to tote the whole project from one computer (at my home) to another (in my office, an hour away). When files are especially large, it’s helpful to bypass digital transfer via ftp and the like, and simply ship the entire drive from one place to another.

Mostly, I’ve been using  GoFlex Pro drives from Seagate. All of the images, video, and audio files that I recorded in the UK in May are now on a 750GB drive that costs about $125. It’s about 3 inches by 5 inches by a half-inch thick, and weighs about a third of a pound. At 7200RPM, it’s fast. It comes with a removable cable adapter, so you can use it as a FireWire 800 drive (for video editing), or as a USB 2.0 drive (offering about half the data transfer speed of FireWire 800, but useful because not every computer includes a FireWire 800 jack). Facing the future, you can buy a Thunderbolt adapter, which allows a connection that’s a dozen times faster than FireWire 800. The flexibility may be useful, but the cost is high: a $90 adapter for a drive that costs $125. (Note that Thunderbolt portable drives are not yet available, and that Thunderbolt desktop drives are still quite costly.) In any case, this drive is designed for use by either a Mac or a Windows computer.

If you haven’t explored portable external drives in a while, you’re likely to be surprised by their appealing combination of small size, light weight, high capacity, speed, and reasonable price. Some even come in colors (not sure why this is important, but it is a trend worth noting). Whether you’re buying for back-up, for convenience (no need to bring your laptop; just bring the drive), or for special projects, they’re worth a look.

What’s more, if you’ve got your eye on one of those new MacBook Air models, the portable drive adds a lot of storage without requiring a large investment in dollars or weight. Buy an 11-inch with just 64GB internal storage for $999 from Apple, then spend about $125 more to increase your available storage by 750GB (with USB 2.0, you’ll be transferring at a half a gig per second, not speedy, but certainly acceptable for most uses). Better yet, spend $225 for 10 GB per second Thunderbolt speed–Thunderbolt is now standard on every Air. By comparison, you may beef up storage with a 64GB or 128GB SD card, but transfer speed is under 100MB per second, a whole lot slower than other options. Below, left-side and right-side views of the new Air, showing both USB 3.0 and Thunderbolt connectors.