The 21st Century Pen

Great idea no. 1: pull a quill, dip it in ink, and write on parchment. The idea lasted about a thousand years.

Great idea no. 2: figure out how the ink can be contained within the pen. After a century or so of experimentation, mass production of fountain pens began in the  1880s.

Great idea no. 3: the ballpoint pen goes on sale in 1945.

Almost great idea no. 4: LiveScribe, a pen that remembers what you wrote, when you wrote it.

LiveScribe is, in fact, the brand name for several smart pens. The one I tried called is the Echo. Several Echo models are available for about $125-250; the difference between them is the amount of internal memory.  As you can see from the layout below, the pen records and stores up to 800 hours of audio, writes in ink, contains a small microphone and loudspeaker, and connects to your computer via USB for downloads and for charging. That’s half the story.


The other half of the story is the special paper required by the pen. It’s a tiny matrix of dots imprinted on “LiveScribe Dot Paper” available as notepads, sticky notes, journals, notebooks, sticky notes–you can even print the special paper on any laser printer. I think the notebooks are best–and I believe it is wise to invest in LiveScribe’s $25 Portfolio to keep both the pen and the notebook in a single binder so that neither strays far from the other. Both are required for LiveScribe to do its magic.

How does it work?

The Echo has an on/off button. When flipped on, I see the time and the remaining battery power. In the notebook, I find the crossed arrow and click on its center point. This causes the pen’s display to read (and the pen’s internal voice to say) “Main Menu.” Then, I choose another icon (located on every notebook 2-page spread) labelled “Record” and we’re off. The pen records audio and it also remembers what was written, by time. Press “Play” and you hear the recording. Click anywhere in your notebook’s written text and the pen will tell you when the text was written by day and date.

There are other features–and more coming as LiveScribe develops this ingenious device not only as a pen but as a portable computing platform. You can draw a small piano and play it with your pen. You can adjust date and time, configure for left or right-handed writing, adjust playback speed, calculate  (there’s a printed calculator on the inside front cover of the notebook–the result appears on the pen’s display).

It all works well, but the display on the pen is pretty small, and it’s not easy to remember every command. You can send any page, or group of pages, to Facebook, Evernote, to your desktop, as a graphic in a text message, or as a graphic in an email. The trick is to remember how to do all of these things, especially if you don’t use these features every day. Here’s how the system works:

One more term that LiveScribe has begun to popularize: “PenCast.” That is: you write and draw with the pen, narrate your work, then package it up for viewing. It’s a bit like a traditional presentation, a bit like a conversation around a whiteboard, and it’s quite effective.

Sending the pen’s contents to your computer requires the installation of some free software as well as Adobe AIR, which is also free. Although free, the connection process is not intuitive. Here’s where the teeny screen on the pen becomes awkward, and the lack of printed “Connect to…” commands on the notebook pages results in a tedious exercise. If you don’t use the LiveScribe pen regularly, it’s very easy to forget how to send notes to email, Evernote, your desktop, etc. And when you do, the result is not an audio-visual file, but just a pdf (without the audio accompaniment). To get both, you must produce a PenCast–not hard to do, but again, you must remember the special particulars of this device. Given the large number of clickable commands in each notebook, I sure wish the “send” commands were included among them. And, I sure wish there was more visual feedback coming from the desktop software, where character counts are not limited, as they are on the pen.

One more not-wild-about-it: the pen’s tip should be covered when not in use, but the small plastic cover is small, slick, easy to use. Hopefully, a future pen design will erase this concern.

Still, this is an impressive step forward in the history of pens (seriously, this is how progress looks). As the LiveScribe community grows–and it is growing steadily–the design inefficiencies will become non-issues.

It’s interesting that this is, in essence, a paper-and-pen product, a kind of enhanced notebook system, as opposed to a fully digital solution. It’s nice to be able to take notes in a notebook, to use a pen on paper, and to know that there’s some technology to enhance the experience, and to transfer all of it to a computer for storage or sharing. It’s old-school in its way, but when you get the system working properly and you use it every day (so that the commands become natural, not tedious steps along the way), LiveScribe is an impressive product indeed.

On Our Side

Ani DiFranco marching in DC for Women’s Lives in 2004. Her new album is entitled Which Side Are You On?

I love Ani DiFranco’s commanding version of Pete Seeger’s classic, “¿Which Side Are You On?” Her vocal is strident and scolding, hopeful and demanding. With each verse, she raises important questions, and insists that we, at least, think about the answers. The backup voices, percussion and increasing distortion suggests a dark revolutionary march; she’s in front of the angry crowd, instructing, inciting, leading the charge. She’s terrific.

She’s provocative when she sings about “Promiscuity,” offering a cool lyrical analysis with “promiscuity is nothing more than traveling, there’s more than one way to see the world.” She’s fully exposed on “Life Boat,” a song about a failed mom’s sadness and self-image featuring “red scabby hands” and “purple scabby feet.” She’s political and forceful when she proposes an “Amendment” to provide civil rights to women, a good song that promotes the “right to civil union with equal rights and equal protection, intolerance finally ruined.”

This is Ani DiFranco’s ambitious, righteous, significant side. She is a songwriter and a performer who thinks, and isn’t at all afraid to tell us what she thinks and why.

Then, there’s the other side, the side that confuses me, the writer who takes the easy way out, as on “Zoo,” where we’re treated to “I can no longer watch TV cuz that shit really melts my brain…” and “I go to do my food shopping and all I can see is packaging and a mountain of garbage about to be happening…” Sure, every record’s got its B-sides, but DiFranco’s good work is so strong, I wince when I hear work I wish she had done better. Moreso because her lyrics are both interesting to the ear and smart enough to be worth reading. And, even moreso because her songs quickly become old friends, worthy of replays for weeks on end. The more I listen, the more I like what I hear.

But I do keep coming back to the Seeger song. He plays some banjo at the start of it, but it’s Ani DiFranco’s power that electrifies the song and its meaning. And it’s that song that anchors this album, a nod from one authentic performer to another. Wouldn’t it be fun to hear her perform an album filled with Seeger songs, a female counter to Bruce Springsteen’s We Shall Overcome: The Seeger Sessions, or maybe, even better, an album exposing lesser-knowns who took sides in their time: Phil Ochs, Tom Paxton, maybe Joan Baez, too.

Buy the album directly from the artist’s Righteous Babe label.

Extremely Long Player

1980s: I’m buying lots of LPs.

1990s: I’m buying lots of CDs.

2000s: I’m downloading lots of music files.

2010s: I’m buying lots of LPs.

What’s going on? As record companies contemplate the end of CD production, LPs are gaining popularity. TIME magazine caught the trend early, but failed to mention activity in vast used LP stores (separate blog post, in the works).

For newcomers, or those whose memory was fogged by digital d-rays, here’s what you need to know…

You need a turntable, a tone arm, a cartridge, a stylus, some cables, a phono per-amp, an amplifier, more cables, and loudspeakers. Back in the day, all of this stuff was combined in a “record player.”

Here in 2011-12, it’s more complicated–and that’s without the USB connection to your computer.

One popular, convenient choice is Audio-Technica’s PL-120, available for about $300. It includes everything you need except the amp and speakers. And, you can connect it to your computer to create digital versions of your LPs.

Rega's RP1 Turntable, an audiophile choice.

If you’re willing to invest more money for better sound, the audiophile choice is Rega’s RP-1, which includes a superior tone arm, a better drive system (to spin the platter) and other features that contribute to a cleaner, more focused presentation. The cartridge (which typically includes the stylus) is an accessory–each cartridge design possesses unique sonic characteristics–is a separate purchase. Rega’s RP1 accessory kit costs an additional $200, and includes Rega’s Bias 2 cartridge and several useful accessories.

Audio-Technica's all-in-one, lower-priced USB turntable.

Better would be another favorite cartridge, Audio-Technica’s ML-440. With turntable, tone arm and cartridge in place, you need a phono preamp. At about $150, one good choice is Music Hall’s PA 1.2. I leave the choice of amplifier and loudspeakers to you–the old system stored in your basement or found in a good used stereo shop will be just fine. Audiogon.com is an online store specializing in audiophile equipment, but a local dealer may provide both friendly advice and a place to listen before you buy.

How about a used turntable? Maybe from a reliable high-end dealer, but not from some random eBay source. Used cartridge? I wouldn’t do that. Instead, I would opt for the all-in-one Audio-Technica PL-120. But first, learn from:

Jerry Raskin’s Needle Doctor, which sells all sorts of cool stuff, not just needles!

Audio Advisor

Music Direct

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