Media Shift / Cutting the Cable

Although I am probably late to the game, I just discovered two very useful tools. The first is a blog post and the second is the blog itself.

Blog post: 2012 Guide to Cutting the Cable

Blog: Media Shift

One at a time:

The article explains the available hardware and software, then provides several case studies of users who have cut the cable, and ends with a very useful list of other articles on the subject.

The blog is stupendous. Here’s local, national and international news and commentary on shifts in just about every modern media industry. The coverage gets down to the hyper-local level, and also offers an extremely wide view of, say, the recent announcement of a merger between two of U.S. publishing’s giants: Penguin and Random House (the latter wins). That article, and this blog, does what so few do: it provides context. So the article about book publishers looks not only at consolidation’s impact on publishing, but also compares the situation with consolidation in the music industry.

Kudos to PBS for this lesser-known project. I now plan to read Media Shift every day.

Infographic: US Education Spending vs. Results

Doing some research, I came upon this colorful infographic that compares educational investment and results in a dozen different countries. No big surprises, but it’s easy to follow. It’s clear that Mexico spends a very small amount per student and achieves only modest results, and it makes sense to see France in the middle of per-capita spending and also in the middle of the results. Clearly, the US and the UK are out of whack–spending is high, but their results are middling. Why the mismatch? And why is the US’s purple circle so much larger than any other circle? Population accounts for only part of the reason why.

U.S. Education versus the World via Master of Arts in Teaching at USC
Via: MAT@USC | Master’s of Arts in Teaching

The Magical Watercolours of Joseph Zbukvic

Joseph Zbukvic is one of the world’s best watercolor painters. In an era when technology dominates art, it’s wonderful to see what this man can do with paint, water, brushes and paper.

I encourage you to watch the entire 20-plus minutes of the video (link below). If you want to get right to the good stuff, pick it up around 2-3 minutes in. This is an Australian TV series. Put Some Colour in Your Life. You will want to start paying close attention when the artist begins his version of “working in Photoshop”–a digital-free approach to thinking through a picture. I watched, I paint, and I learned more in twenty minutes than I’ve learned from dozens of how-to books. This is phenomenal work, gimmick-free, technology-free, just the good stuff. Click here to watch.

Here’s a look at some of the artist’s work. Be sure to visit the gallery section of the artist’s website.

Peru: Serious Food Gaining Global Popularity

Ceviche with a Chinese influence, as served at El Tule in Lambertville, New Jersey. In the US, New Jersey is a significant population center for Peruvians. Sharing its menu with Mexican food, El Tule provides superior examples of traditional Peruvian dishes.

Start with a (non-alcoholic) iced glass of Chicha Morada, traditionally made from purple maize blended with pineapple, quinces, cinnamon and cloves. Then, have a look at the menu, a mix of traditional Latino cuisine with (of all things) Chinese influences.

Lomo Saltado is a good example of the cultural mix. Beef strips are marinated in soy sauce, vinegar, and spices, then stir-fried with tomatoes, yellow peppers, and red onions. It’s typically served with cut potatoes that resemble thick french fries, and with rice.

Why the Chinese influence? Apparently, roughly 1 in 10 people living in Peru are Chinese or claim Chinese origin. The history dates back to the 1850s, when contract workers from Macau (in the day’s vernacular, “coolies”) who replaced the slaves on the sugar plantations and guano mines. As their contracts expired in the 1860s and 1870s, they brought family, married Peruvian women, and opened small businesses, including restaurants. In fact, the largest Chinatown in Latin America is located in Lima: El Barrio Chino de Lima.

As with most Latin cuisines, the roots cross with other cultures (often, conquering cultures), but the deepest layers are native. In this vein, the ancient Carapulcra stew is based up0n a rich mix of pork, spice, a thick and richly flavored brown sauce, and potatoes.

In fact, Peruvian vegetables are fascinating in their own right, a range of vegetables that has not yet reached public markets and popular tastes in the US: caigua, or stuffing cucumber, similar to a pumpkin; yuca, also known as cassava, which replaces the potato (and must be carefully prepared to remove the toxic cyanide); and maiz morado, or purple corn. There’s an emphasis on root vegetables, and, in some cases, health benefits (explained on the linked page).

Escabeche is a Spanish dish, imported by Peru and by a large number of other Spanish-conquered nations. Meat or fish is marinated in an acidic mixture, sometimes with vinegar, sometimes with a citrus juice.

Ceviche is also common to many cultures, but Peruvians have evolved an impressive range of ceviche variations. Start with the basics: a white fish, lemon and/or lime juice (and there are all sorts of ongoing arguments about which lemon, which lime, because there are many varieties), salt, garlic, cilantro, and, often, some sort of fish concentrate. There’s a nice introduction to the Lima street version of ceviche here, and it includes some video. The roots of ceviche precede the Spanish conquest, and, according to this article, it was the Spaniards who added onions and lime. Ceviche is not easy to cook–the timing of the acid must be perfect, the balance of flavors is difficult to manage, especially in a busy restaurant kitchen.

One key ingredient, distinctive to Peru, is a spice called  huacatay.  A relative of the marigold, it’s also known as Peruvian black mint. Another is the aji, or pepper, some quite hot. Sweet potatoes are also common: recently, I tried the Peruvian version of a tamale, with mashed corn replaced by sweet potato (and excellent idea).

For more about Peruvian food, try these links:

World’s Best

The one familiar piece of local Peruvian cooking that has made its way to the US, the UK, and elsewhere is quinoa, a grain. Clearly, there’s lots more to explore. Here’s a list of restaurants and menus that specialize in traditional food from Peru:

Lima’s Taste, Greenwich Village, NY

Panca, Greenwich Village, NY

Macchu Picchu, Chicago, IL

Andina, Portland, OR

Puro Peru, Sunnyvale, CA

Aromas del Peru, Coral Gables (near Miami), FL

Sabor a Peru, Miami, FL

Ceviche, London, UK

Inca’s, New South Wales, Australia

Astrid & Gaston, various global locations, mostly in Latin America

Italian + Peruvian – Taranta, Boston

Thai + Peruvian – Thai Peru, Ventura, CA

Mexican + Peruvian - El Tule, Lambertville, NJ

As I scanned a wide range of websites, many promised that Peruvian cooking would be the next big thing. Some were old, some were new. All made me hungry.

Just as a reminder, here’s Peru on the map of South America.

(Digital) Money, Honey

We pay for just about everything with a credit card, a debit card, PayPal. Even parking meters accept card payments. Cash is dirty, difficult to store, easy to lose, and (for better or for worse) leaves no trace. The end of money has been predicted for a long time. Maybe now’s the time that money, like photographic film, drive-in theaters, and typewriters, fades away.

That’s the theory behind WIRED contributing editor David Wolman’s book, The End of Money published by Da Capo. The book is an easy read, filled with anecdotes, interesting histories, and a great many examples of alternatives to our current cash-and-coins conception of valuable exchange. Wolman points out the present system is, in fact, quite new, and that most of human history did not involve pennies, pfennigs, or pesos. He estimates that one of every twenty British coins is counterfeit. He points to cash on ice both in Alaska Senator Ted Stevens’ freezer and also in a visit to the fallen Icelandic economy. (There are so many wonderful slang terms: cold hard cash among them). He explores alternative currencies. The one about Liberty Dollars–”a private voluntary free-market currency backed entirely by silver and gold.”–is a long trip through the complexities of alternative currencies and contemporary Federal conceptions of money.

There’s discussion–not enough for my taste–about smart cards and the use of mobile devices as digital wallets. Here, the focus is on the many small daily transactions that remain cash-intensive, and the potential for a simpler, less costly, more manageable system based upon digital transactions. The upside: you’re never short a quarter for the parking meter; the downside: every time you park your car, you’re making an entry into your permanent record.

Be sure to read the crazy story. It’s just one paragraph on Wikipedia.

It’s interesting to muse on the current use of simulated currencies, if only to understand our possible future behaviors: accumulating gold coins in games, such as World of Warcraft; the possible connections between gamefied badges and currency that can be exchanged for real or virtual goods and services; the use of Quids on the (now gone?) website Superfluid, where “they’re placeholders for favors” (perhaps not unlike the favor/exchange economy that drives power and accomplishment in the nation’s capital). Where might frequent flier miles fit into the money equation? Or Disney Dollars that pay for fun in Orlando (now largely replaced by Disney Gift Cards because they yield far more digital data, and because the residue is easily converted to profit.) How about the barter economy that has been so well-nourished on the internet: you build my website, I do your taxes.

How does taxation fit into any of this? None of us love taxes, but we’ve certainly become attached to, say, our interstate highway system. I suppose most transactions will be digital, and so, there is a trackable moment of exchange, and at that moment, the tax authorities can step-in (digitally) and collect. How about pay checks? Direct deposit eliminates the old-fashioned notion of “cashing the paycheck”–and, perhaps, acknowledging the weirdness of Big Brother, preparing one’s own personal tax return may seem equally old school (armed with your entire digital financial life, the government could certainly outsource your tax return, mine to, to an outfit in Malaysia or Peru).

Are coins and cash going away? Not this year, but maybe in ten years. It’s fascinating to contemplate the possibilities. And, along the way, it’s fun to browse or read The End of Money.

It’s also fun to watch the CBS Sunday Morning report that was inspired by the book. If you can find the link, let me know and I’ll post it (couldn’t find it on the CBS Sunday Morning site).

1 in 25 Work as Creative Pros

Above, an elegant way to think about the global creative economy, as presented in a 400+ page United Nations report.

1 in 25 people–that’s the revised figure for 2010–work in creative industries in the U.S. More than doctors, lawyers, even accountants. Industry sectors above, details below.

In the United States, roughly 150 million people work full-time. Six million of us work in creative professions. We’re writers and performers; musicians and visual artists; marketers and strategists; architects and specialists who invent, improve, or bring ideas to life. In total, more people work as creative professionals in the U.S. than doctors (700,000), lawyers (800,000), accountants (1,300,000), and engineers (1,600,000) combined. The number of creative professionals exceeds the number of teachers (3,500,000 teachers pre-K through high school, plus 1,700,000 more who teach in colleges and universities).

Our output–which provides employment for lawyers, accountants, executives, retailers, and many others–is responsible for more than ten percent of the U.S. Gross Domestic Product.

A reasonable global workforce estimate would exceed 10 million creative professionals. Nations with significant creative economies include Germany, the United Kingdom, France, Italy, the Netherlands, Ireland, Japan, China, India, Canada, Australia, and, among countries with developing industries, Mexico, Thailand, Indonesia, Argentina, Singapore, and Chile. According to the United Nations Creative Economy 2008 report, the export value of creative in 2005 was over $300 billion, or about 2-3% of the global economy. (Yes, I am reviewing the 423 pages of the 2010 report to update these figures–overall, trends are up).

The long list of creative industries was nicely summarized in the 2008 U.N. report, presented at a United Nations Conference on Trade and Development. The orange version, above, makes it all that much more clear.

Within each of these clusters, the professional model is similar. Projects are developed, produced, and distributed. Mostly, revenues are generated through direct transactions with individual consumers (movie admissions; DVDs; iTunes downloads;physical goods such as jewelry), sometimes through subscriptions; or by advertising to consumers who receive goods and services by paying only a modest transaction fee (magazine subscriptions), or no fee at all (most internet sites; broadcast radio and TV).

You can download the 2010 UN report here. (Yes, I will update my 2008 numbers when time permits.)

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