4K TV – Sooner Than You Think!

A few days ago, I was on the phone with the FCC and an interesting question came up. Will broadcast stations have enough over-the-air bandwidth to provide 4K service to the public? I was struck by the question because 4K is such a new idea, and because I’d never really thought about it as broadcast idea.

Compare 1080 pixels (dark green0 with 4000 pixels (red) and you get a sense of how much more picture information (resolution, detail) is available on the new 4K TV sets.

Compare 1080 pixels (dark green0 with 4000 pixels (red) and you get a sense of how much more picture information (resolution, detail) is available on the new 4K TV sets.

What’s 4K TV? It’s a much higher-resolution version of HDTV. And the first 4K TV sets are arriving soon (see below0. In order to provide all of that picture information, more data is required, which means larger storage devices, and, in order to provide that data to connected TV sets, more bandwidth is required, too. That’s the basic theory, but it’s important not to think about 4K in terms of the current systems because of that always-astonishing digital magic trick: compression. Yes, 4K requires a lot of data and a lot of bandwidth. But “a lot” is a relative term. And yes, there are new digital broadcast standards on the way. Good news for consumers and for broadcasters, who will be able to pack more and prettier program material into their TV signals, not-so-good news for broadcasters who are attempting to build a coherent strategy related to the upcoming FCC TV spectrum auction, in which many stations will trade their licenses for cash, or for the opportunity to share a channel with another broadcaster in the market.

panel2_imageAnyway… I woke up this morning to an announcement from Sony… with all sorts of enticing promises: improved detail, improved color rendition, better audio, screen mirroring so what’s on your tablet can be viewed on your new TV (albeit it in lesser detail, a service currently available to Apple users).

How much? $5,000 for the 55-inch model, and $7,000 for the 65-inch model.

What are you going to watch? Well, yeah, that’s always the problem at this stage. Here’s a terrific article about “upscaling” the currently available media, which seems to require 24x improvement. More data will require more robust local storage, and so, we move closer to a complete convergence of television, home network, home digital storage devices in sophisticated home library systems, and, perhaps far more likely, streaming solutions in their next phase: advanced versions of Netflix, Hulu, and so forth, tweaked to serve big files for 4K TV sets.

Which brings us back around to the TV station wondering about its 4K future. Sure, it’s technically possible to broadcast 4K, but in the few years remaining for the current broadcast standard, this seems fairly unlikely because (a) it will be expensive for television stations to install in their master control facilities, and (b) relatively few people will leap from their new-ish HDTVs to 4K sets in the next year or two.

Sony-4KTVDo we want or need even more resolution than 1080i HDTV sets provide? Maybe for microscopy or astrophotography or other science work that demands the highest possible resolution. Do I think ESPN is investing in a whole new 4K operation–cameras, video switcher, storage, transmission, etc. so I can watch baseball in even higher resolution. You know they are, or will soon be, doing just that. And when they do, we’ll buy the sets because, you know, people will come…

Big Data, Bigger Ideas

face pic human face

Every animate and inanimate object on earth will soon be generating data, including our homes, our cars, and yes, even our bodies”– Anthony D. Williams on the back of a big book entitled The Human Face of Big Data

From the dawn of civilization until 2003, humankind generated give exabytes of data. Now, we produce five exabytes every two days.” — Eric Schmidt, Executive Chairman, Google

The average person today processes more data in a single day than a person in the 1500s did in an entire lifetime.

Big Data is much more than big data. It’s also the ability to extract meaning: to sort through masses of numbers and find the hidden pattern, the unexpected correlation, th surprising connection. That ability is growing at astonishing speed, it won’t be long before Amazon’s ability to dazzle customers by suggesting just the right book will seem as quaint as our ancestors’s amazement at horseless carriages.– Dan Gardner, from the book’s introduction

human face big dataClearly, big data is a massive idea. Let’s see if we can’t break it down, if not by components, then, at least, by illustrations of classes and contexts.

The connection between data collection and pattern recognition is not new. In fact, we know the earliest example, which still exists, in book form, in a small, private Library of Human Imagination in Ridgefield, Connecticut. The book is called Bills of Mortality, and it records the weekly causes of death for London in 1664. This data was used to study the geographic (block-by-block) growth of the plague, and to take measures to prevent its future growth.

Two hundred gigabytes per day may not seem like much data, not in the days when you can buy a terabyte drive from Staples for a hundred bucks or so, but collect that much data day and day out, for a few years, and the warehouse becomes a busy place. That’s what MIT Media Lab’s Seb Roy did to learn how his newborn son learned language. The work was done at home with eleven cameras and fourteen microphones recording the child’s every move, every sound. The recording part of the project is over–their son is now seven years old–but analysis of “unexpected connections between the routines of everyday life and how one child learned his first words” continues as a research project.

On the other end of the age scale, there’s Magic Carpet, now in prototype. The carpet contains sensors and accelerometers. When installed in the home of, say, a senior, the carpet observes, records, and learns the person’s typical routine, which it uses as a baseline for further analysis. Then, “the system checks constantly for sudden (or gradual) abnormalities. If Mom is moving more slowly than usual, or it’s 11 a.m., And her bedroom door still hasn’t opened, the system sends an alert to a family member or physician.”

Often, big data intersects with some sort of mapping project. Camden, New Jersey’s Doctor Jeffrey Brenner “built a map linking hospital claims to patient addresses. He analyzed patterns of data, and the result took him by complete surprise: just one percent of patients, about 1,000 people, accounted for 30 percent of hospital bills because these patients were showing up in the hospital time after time…a microcosm for what’s going on in the whole country (in) emergency room visits and hospital admissions…” Subsequently, he established the Camden Coalition of Healthcare Providers to help address this “costly dysfunction.” He collected the data, analyzed it, then brought out meaningful change at a local level.

One of the many superb photographs depicting the intersection between human life and technology use. The book was put together by Rick Smolan, an extraordinary photographer, curator and compiler whose past work includes A Day in the The Life of America and other books in that series.

One of the many superb photographs depicting the intersection between human life and technology use. The book was put together by Rick Smolan, an extraordinary photographer, curator and compiler whose past work includes A Day in the The Life of America and other books in that series.

Yes, there’s a very scary dark side. Bad people could turn off 60,000 pacemakers via their Internet connections. A real time, technology enabled 2008 terrorist attack in Mumbai killed 172 people and injured 300 more thanks to Blackberries, night vision goggles, satellite phones and other devices.

If you control the code, you control the world. There has not been an operating system or a technology that has not been hacked.

Fortunately, the good guys have tools on their side, too. The $40 million Domain Awareness System in Manhattan includes “an array of 3,000 cameras known as ‘The Ring of Steel” that monitor lower and midtown Manhattan as well as license plate readers, radiation detectors, relevant 911 calls, arrest records, related crimes, and vast files on characteristics such as tattoos, body marks, teeth, and even limps. They can also track a suspicious vehicle through time to the many locations where it has been over previous days and weeks.”

Google’s self-driving car is safer than a human-controlled vehicle because the digital car can access and process far more information more quickly than today’s humans.

By 2020, China will complete Compass/Beidou-2. This advanced navigation system will outperform the current (and decades old) GPS system. Greater precision will be used for public safety (emergency response, for example), commercial use (fishing, automotive), and, inevitably, for far more productive war.

Data can mean the difference between life death when the weather turns ugly. Thousands of lives are saved each year by weather earnings in wealthier countries. Yet thousands of lives are lost in poor ones when monsoons, tornadoes and other storms strike with little public warning, an intensifying threat as the planet warms,,,

If you’ve ever wondered what Amazon’s true business is, or why it uses the name of a gigantic river, the answer is big data. Ultimately, Amazon intends to become a public utility for computing services. Take a careful look at Amazon Prime and you will see a prototype. The streaming side of PBS and Netflix are among the enterprises enabled by Amazon’s big data operations.

For FedEx, “the information about the package is as important as the package itself.”

human face big data movementsWhether its eliminating malaria or making art, text messaging for blood donors or tracking asteroids, the future will be defined by the collection, analysis and use of big data. It will shape our individual knowledge about our own bodies, our children’s growth and our parents’ health, our collective tendencies for public good, safety, and bad behavior. It will be embedded in robots and intelligent systems that may, soon, control aspects of life that we once considered wholly human endeavors. It is a change of epic proportions and yet, most of us are unaware of its importance.

The book, The Human Face of Big Data, along with its related website and app, provide a useful gateway into this brave new world.

Amazon: Any Thing, Any Where, Any Time

Amazon-HiddenEmpireFaberNovel is a website filled with interesting, well, I’m not sure what to call these packages of visual information. They’re kinda sorta PowerPoint presentations, but they feel more like a new kind of business book.

Originally, I was going to tell you that there’s a good (updated 2013) story of how Amazon is taking over the world. The presentation, above, tells a compelling tale about how the e-commerce giant has grown, offering considerable detail on the business side, and lots of insight about Amazon’s likely future.

As I went through the 84 slides, I became curious about who was telling the story, and became interested in FaberNovel, the publisher who offers this material under a Creative Commons license. As I browsed, I found an All About Google FaberNovel, too. And another about Google, Facebook, HTML5, the list is both impressive and multi-lingual (that is, presentations are available in multiple languages).

The stories are well-told, simply illustrated, and rely upon diagrams and other simple PowerPoint graphic techniques (nobody will be impressed by the visuals, but the stories are good; Edward Tufte’s magic wand would greatly benefit this material).

I’d start with the Amazon story because it contains so many “oh, that’s why!” or “that’s how, that’s a really good idea” or “what an awesome story of business strategy.” moments. Some of it is likely to be familiar, but it’s unlikely that most people have connected the dots. Sure, 84 pages may seem like a lot, but it’s not more than a half-hour of your life, unless you’re a serious student of e-commerce business.

Interesting discovery.

Digital Warfare

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Michael Reynolds/European Pressphoto Agency (NY Times)

Today’s New York Times included an article that may turn some digital heads. The next threat may not involve guns and bombs, but stealthy data intended to destroy telecommunications and other essential infrastructure. This ultimate hack is especially nasty because it is so difficult to detect, faceless, instantaneous, and associated with many so many potential points of failure.

As Defense Secretary Leon Panetta attempts to change minds and law, it’s worth your time to (a) stop dreaming of the new iPad Mini for a moment, and (b) consider the ways in which we could and should defend against 21st century cyberwar. Sounds like a science fiction novel, I’m sure, but this is becoming a powerful, significant nightmare scenario.

(Digital) Money, Honey

We pay for just about everything with a credit card, a debit card, PayPal. Even parking meters accept card payments. Cash is dirty, difficult to store, easy to lose, and (for better or for worse) leaves no trace. The end of money has been predicted for a long time. Maybe now’s the time that money, like photographic film, drive-in theaters, and typewriters, fades away.

That’s the theory behind WIRED contributing editor David Wolman’s book, The End of Money published by Da Capo. The book is an easy read, filled with anecdotes, interesting histories, and a great many examples of alternatives to our current cash-and-coins conception of valuable exchange. Wolman points out the present system is, in fact, quite new, and that most of human history did not involve pennies, pfennigs, or pesos. He estimates that one of every twenty British coins is counterfeit. He points to cash on ice both in Alaska Senator Ted Stevens’ freezer and also in a visit to the fallen Icelandic economy. (There are so many wonderful slang terms: cold hard cash among them). He explores alternative currencies. The one about Liberty Dollars–“a private voluntary free-market currency backed entirely by silver and gold.”–is a long trip through the complexities of alternative currencies and contemporary Federal conceptions of money.

There’s discussion–not enough for my taste–about smart cards and the use of mobile devices as digital wallets. Here, the focus is on the many small daily transactions that remain cash-intensive, and the potential for a simpler, less costly, more manageable system based upon digital transactions. The upside: you’re never short a quarter for the parking meter; the downside: every time you park your car, you’re making an entry into your permanent record.

Be sure to read the crazy story. It’s just one paragraph on Wikipedia.

It’s interesting to muse on the current use of simulated currencies, if only to understand our possible future behaviors: accumulating gold coins in games, such as World of Warcraft; the possible connections between gamefied badges and currency that can be exchanged for real or virtual goods and services; the use of Quids on the (now gone?) website Superfluid, where “they’re placeholders for favors” (perhaps not unlike the favor/exchange economy that drives power and accomplishment in the nation’s capital). Where might frequent flier miles fit into the money equation? Or Disney Dollars that pay for fun in Orlando (now largely replaced by Disney Gift Cards because they yield far more digital data, and because the residue is easily converted to profit.) How about the barter economy that has been so well-nourished on the internet: you build my website, I do your taxes.

How does taxation fit into any of this? None of us love taxes, but we’ve certainly become attached to, say, our interstate highway system. I suppose most transactions will be digital, and so, there is a trackable moment of exchange, and at that moment, the tax authorities can step-in (digitally) and collect. How about pay checks? Direct deposit eliminates the old-fashioned notion of “cashing the paycheck”–and, perhaps, acknowledging the weirdness of Big Brother, preparing one’s own personal tax return may seem equally old school (armed with your entire digital financial life, the government could certainly outsource your tax return, mine to, to an outfit in Malaysia or Peru).

Are coins and cash going away? Not this year, but maybe in ten years. It’s fascinating to contemplate the possibilities. And, along the way, it’s fun to browse or read The End of Money.

It’s also fun to watch the CBS Sunday Morning report that was inspired by the book. If you can find the link, let me know and I’ll post it (couldn’t find it on the CBS Sunday Morning site).

The 21st Century Pen

Great idea no. 1: pull a quill, dip it in ink, and write on parchment. The idea lasted about a thousand years.

Great idea no. 2: figure out how the ink can be contained within the pen. After a century or so of experimentation, mass production of fountain pens began in the  1880s.

Great idea no. 3: the ballpoint pen goes on sale in 1945.

Almost great idea no. 4: LiveScribe, a pen that remembers what you wrote, when you wrote it.

LiveScribe is, in fact, the brand name for several smart pens. The one I tried called is the Echo. Several Echo models are available for about $125-250; the difference between them is the amount of internal memory.  As you can see from the layout below, the pen records and stores up to 800 hours of audio, writes in ink, contains a small microphone and loudspeaker, and connects to your computer via USB for downloads and for charging. That’s half the story.


The other half of the story is the special paper required by the pen. It’s a tiny matrix of dots imprinted on “LiveScribe Dot Paper” available as notepads, sticky notes, journals, notebooks, sticky notes–you can even print the special paper on any laser printer. I think the notebooks are best–and I believe it is wise to invest in LiveScribe’s $25 Portfolio to keep both the pen and the notebook in a single binder so that neither strays far from the other. Both are required for LiveScribe to do its magic.

How does it work?

The Echo has an on/off button. When flipped on, I see the time and the remaining battery power. In the notebook, I find the crossed arrow and click on its center point. This causes the pen’s display to read (and the pen’s internal voice to say) “Main Menu.” Then, I choose another icon (located on every notebook 2-page spread) labelled “Record” and we’re off. The pen records audio and it also remembers what was written, by time. Press “Play” and you hear the recording. Click anywhere in your notebook’s written text and the pen will tell you when the text was written by day and date.

There are other features–and more coming as LiveScribe develops this ingenious device not only as a pen but as a portable computing platform. You can draw a small piano and play it with your pen. You can adjust date and time, configure for left or right-handed writing, adjust playback speed, calculate  (there’s a printed calculator on the inside front cover of the notebook–the result appears on the pen’s display).

It all works well, but the display on the pen is pretty small, and it’s not easy to remember every command. You can send any page, or group of pages, to Facebook, Evernote, to your desktop, as a graphic in a text message, or as a graphic in an email. The trick is to remember how to do all of these things, especially if you don’t use these features every day. Here’s how the system works:

One more term that LiveScribe has begun to popularize: “PenCast.” That is: you write and draw with the pen, narrate your work, then package it up for viewing. It’s a bit like a traditional presentation, a bit like a conversation around a whiteboard, and it’s quite effective.

Sending the pen’s contents to your computer requires the installation of some free software as well as Adobe AIR, which is also free. Although free, the connection process is not intuitive. Here’s where the teeny screen on the pen becomes awkward, and the lack of printed “Connect to…” commands on the notebook pages results in a tedious exercise. If you don’t use the LiveScribe pen regularly, it’s very easy to forget how to send notes to email, Evernote, your desktop, etc. And when you do, the result is not an audio-visual file, but just a pdf (without the audio accompaniment). To get both, you must produce a PenCast–not hard to do, but again, you must remember the special particulars of this device. Given the large number of clickable commands in each notebook, I sure wish the “send” commands were included among them. And, I sure wish there was more visual feedback coming from the desktop software, where character counts are not limited, as they are on the pen.

One more not-wild-about-it: the pen’s tip should be covered when not in use, but the small plastic cover is small, slick, easy to use. Hopefully, a future pen design will erase this concern.

Still, this is an impressive step forward in the history of pens (seriously, this is how progress looks). As the LiveScribe community grows–and it is growing steadily–the design inefficiencies will become non-issues.

It’s interesting that this is, in essence, a paper-and-pen product, a kind of enhanced notebook system, as opposed to a fully digital solution. It’s nice to be able to take notes in a notebook, to use a pen on paper, and to know that there’s some technology to enhance the experience, and to transfer all of it to a computer for storage or sharing. It’s old-school in its way, but when you get the system working properly and you use it every day (so that the commands become natural, not tedious steps along the way), LiveScribe is an impressive product indeed.

Secrets of Memory – Exposed!

I just received a piece of plastic, about the size of a postage stamp, containing as much memory as a MacBook Air: 64GB. And that made me wonder: is the 64GB on the Monster Digital SD XC USH-1 Class 10 Vault Series card (got all that?) the same as the  64GB of flash memory inside the Air?

Well, no, it’s not. Not according to Mike Ridling and Mark Morrissey, the President and Head of Storage Technology at Monster Digital.

We started at the beginning: spinning disks. Over the decades, the disks became smaller, and when Apple used the technology in the iPod, 1 in 3 units failed. So, Apple went shopping for a better solution.

At the time, flash drives had been around for about five years, and they were popular, but limited in terms of storage capacity. Camera manufacturers were experimenting with ways to store large number of images in a non-volatile format (that is, when the power goes off, the stored material remains). Then, Apple adopted flash memory for their portable devices–and the market shifted from spinning disks to non-volatile, highly portable, small-sized memory.

What’s inside that SD card? A tiny controller that routes data into and out of the card, and organizes the data on the card’s silicon chip so that it’s accessible and so that the card lasts as long as possible (but not forever).

About six years ago, the Secure Digital Association (SD = Secure Data) standardized the metrics for both memory capacity (64GB) and access speed (Class 10). In fact, the access speed matters–but the information is not always easy to find in your device’s instructions. If you own a big DSLR, buy Class 10 cards. Ditto for any camcorder that costs more than, say, $600-700. A Class 6 card is sufficient for a lesser camcorder or a more modest digital still camera. If you’re using the card in a smart phone or a low resolution camera (say, 2-3 megapixels), then a Class 2 is all you need. Of course, Class 10 cards cost more than Class 2 cards.

If you require higher transfer rates, you’ll want a UHS-1 compatible card, but note that not all of these cards are compatible with all devices. (Monster emphasized that their card works with a lot of different devices.)

Right now, the largest available SD cards are 128GB, but we’ll see 256GB in a year or so. Somehow, through the miracle of engineering, the cards are able to store more data but they don’t become larger (more data is stored within the available space). This means we can expect compatibility for a longer period of years.

Now what about the 64GB SD card in the 64GB MacBook Air? Can I simply double my storage capacity with the purchase of a $200 memory card? Well, sort of. The SATA3 solid state drive in the MacBook Air transfers data at 6GB per second. How does the SD card compare? Well, it’s slower. A lot slower: 80MB per second. This is why the SD card is better suited to, say, storing documents and transferring documents on the Air than, say, running Photoshop. In fact, the 64GB and it’s big sister, the 128GB are ideal for storing either almost 25,000 photographs, nearly 11 hours of HD video, over 1,000 hours of digital music. It’s ideal for use in an HD video camera, for example.

I did ask about whether technology was changing quickly enough to affect my thinking about the next generation Air (coming in May, we think). The answer came as something of a surprise: a new external drive for the Air (and other devices) that would plug into the new Thunderbolt port. Offering a transfer rate of about 10GB per second (1/6 of the internal drive, but a heck of a lot faster than the SD card), this is probably the next step in portable memory for portable computers.

And what about iPad storage? Yeah, it’s kinda messy. Apple really didn’t design iPads for external storage, so the solutions are workarounds. That probably won’t change in the future.

So, I’ve learned to use terms such as “transfer rate” and “Class 10” with some knowledge that I lacked yesterday. And, I’ve gotta say, I have a soft spot for Monster. So, thanks to the two executives who helped me to navigate this technology.

Tools: Publish your own eBook (or, iBook)

Within the next 30 days, I am going to publish my first eBook. How I wish Mashable had published this chart of eBook publishing software applications before I got started. I struggled through Adobe InDesign and gave up. I would have used Apple iBook Author but it was not available. For me, Scrivener was the best available solution–and it seems to be working, but Apple has upped the game with its (and free) software.

Have a look, and be sure to pass this post on to anyone who might be considering their first eBook.

A chart comparing all the ePub tools available to users.

How iBooks Author Stacks Up to the Competition [CHART]

Why Buy a Camcorder?

On my iPhone, I can shoot video. I can edit, too. I can shoot video on my camcorder, but I can’t edit (not easily, anyway). And that got me to thinking about just what I might want or need in a standalone video recording device.

Although you can find camcorders that record onto videotape or DVD, the standard recording format is now the SD card–the same type of card used in most digital cameras, but with far more available storage capacity.

Less than $200 buys a pocketable video camera and recorder, similar in design to the Flip camera that was popular a few years ago. JVC sells about eight different models, all quite similar to the Flip cameras and to one another. All shoot HD-quality movies, 5MP still images, and easily transfer creative work to a nearby computer via USB connection. The GC-WP10A is especially appealing because it’s waterproof, records time lapse, includes face detection, a 3-inch touch screen, and an image stabilizer to reduce shaky videography (which is a common problem with small hand-held cameras). Compare it with JVC’s GC-FM1BUS, which shoots 8MP still images and offers an HDMI output to digital TV screens, but lacks face detection. Spend fifty dollars less, and you’ll save money but sacrifice some features. If not JVC, you will find similar products from Kodak, Samsung, and lots of other companies. In this price range, there will not a tremendous difference in features or reliability.

If you’re heading in this direction, be sure to check out the Zoom Q3--made by a company now well-known for high-quality portable audio recorders (which I will write about in a future blog post). I really like the design of the Q3–and its emphasis on audio recording.

Beginning around $250, you can buy a digital camcorder with a long zoom len

s, image stabilization, and adequate low-light shooting capability in a package that easily fits into your jacket pocket. Try, for example, Panasonic’s HDC-SD80R, which sells for less than $300, with a 32x zoom lens (that is, if you are 32 feet away, you will appear to be just 1 foot away from the camera). If you visit Panasonic’s camcorder website, you w

ill find 23 similar Panasonic models with prices as low as about $200 and as high as $1,000+. What’s the difference? The HDC-TM900K sells for about $900, and includes three image sensors, which means superior image quality, manual control over exposure and focus (with manual control, more professional results are possible, but these require skill, practice and patience). The lens is better, too. Is one camera worth $600 more than another? If you’re shooting video for YouTube, the answer is probably “no” (though the manual controls would be useful). If you’re shooting video to be seen on a 50-inch HD monitor, the answer is “yes.”

For a few hundred dollars more, you can buy similar camcorders with interchangeable lenses.

But wait! That’s just the beginning!!

For professional quality results, plan to spend about $2,000 for a model similar to Sony’s HDR-FX7. The big difference between these lower-priced pro models and lesser lights is three-fold: image quality, technical capabilities, and creative control.

Image quality is easy to understand, and easy to see. The sensor and the associated image processing technology is superior to lower-priced models, and so is the lens. The viewfinder offers more detail, better contrast, more accurate color, and more detailed information about camera settings. The lens is, roughly, a 20x optical zoom. The zoom controls are smooth, and can be handled with nuance.

Jump to the $3,500 model HDR-AX2000 for professional XLR microphone connectors, even better image sensing and processing, and vastly improved low-light shooting. You could shoot a television series for a cable network with this camera. In fact, many professional production companies now use these cameras–and others like it–for just that purpose.

Look for a post about dual system audio recording in the near future.

So: which camcorder is right for you?

If you shoot a few minutes of video from time to time, and post your output on the web, then you may be able to use your smartphone.

If you shoot some videos, and some still pictures, and you really don’t need high quality audio, or even a microphone for the occasional interview, then you can use a recent vintage digital still camera. If yours is more than 2-3 years old, it may be time for an update if you want to shoot video.

If you are serious about still photography and videography, then you should consider a digital SLR, with its long zoom lens and substantial body size. Although most digital SLR bodies include a built-in stereo microphone, your work will be better if you attach a stereo microphone, or shoot “double system” with an entirely separate audio recorder (the topic of a future blog post).

In fact, it makes more sense to invest in a digital SLR than a standalone camcorder in the $300-$1,000 range. These are useful if you shoot a lot of video–but you can do the same, with greater flexibility–with a digital SLR.

If you serious about videography, then a serious prosumer or low-range professional camcorder is the appropriate choice. Most people who use these cameras devote considerable time to video editing–the camera alone isn’t going to make anyone a star. Fortunately, video editing software is now widely available at reasonable prices. Unfortunately, professional quality video editing requires a lot of time and careful work.

With any of these HD camcorders, the work can be stunning. For the best results, professionals rely on quality lenses, sensors, image processing and microphones.

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